That Floating Excrement Was Way Too Meaningful! These Are the Television Disappointments of the Year.

As we consider the television landscape of the past year, a handful of shows stand out not for their brilliance, but for their notable failures. From cringe-inducing spin-offs to bafflingly bad documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Plagued with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the final series began, it looked like it had finally found its groove. Then came an installment all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was just way too on-the-nose. Still, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this show's problems. The subject of a very rare no-star assessment, it was hard to know where to begin listing the flaws. The laughably leaden dialogue? The tedious glorification of affluence and consumption? The seemingly wilful procession of cliches? Acting so bad they felt borderline spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be saved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly boring; a conflict over drug-selling territory between various cockney rogues which felt a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was like reading a sales catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies targeting – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for explicit exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Victoria Russell
Victoria Russell

Elara Vance is a seasoned gaming journalist and casino reviewer with over a decade of experience in the UK online gambling industry.